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Geboren am 15.3.1945 in Bergen/Rügen. Theologiestudium in Jena. 1974 Flucht nach Westberlin. Studium an der Freien Universität, Berlin und am Max Reinhardt Seminar, Wien. Magister Artium der Theaterwissenschaft, Theologie und Philosophie. 1980 Übersiedlung nach New York, seit 1997 Wohnsitz in New York und Berlin.
Als Autor und Regisseur für interaktive und medienübergreifende Projekte erste Arbeiten in der DDR, darunter die Performance "Verein zur Verbreitung des Erdflachheitsgedankens und zur Bekämpfung des absurden Erdrundheitsgedankens" (Verbot nach der ersten Aufführung).
In New York entstand unter anderem die interaktive Performance "Woman in the Window" für die Galerie Fashion Moda, South Bronx, 1984.
Für diese Performance arbeitete Uwe Mengel zum ersten mal mit dem entwickelten neuen Modell für Proben und Präsentation interaktiver Performances.
Diese neue Form der interaktiven Performance wurde jeweils stadtspezifisch von ihm weiterentwickelt für; Mixed Blessing Theater e.V. 1996, Berlin: "2 ½ Millionen" ; 1999 für das San Antonio International Theater Festival, Texas: "Ground Zero" und für das Melbourne Festival 2002: "Lifeline".
Als erster deutscher Künstler 1986 Realisierung einer Performance als Auftragswerk des Whitney Museum of American Art in New York - "Plaster of Paris".
Seit 1991 auch zahlreiche Arbeiten als Autor und Regisseur von Hörspielen für Hessischer Rundfunk, Radio Bremen, Norddeutscher Rundfunk, Westdeutscher Rundfunk und Sender Freies Berlin.
Theater/Performance (Auswahl):
„Lifeline“: Autor und Regisseur. Interaktive Theaterperformance für Melbourne __________Festival, Oktober 2002.
„Ground Zero": Autor und Regisseur. Interaktive Theaterperformance für San Antonio __________International Theater Festival, Texas. Oktober 1999. „Best Director __________Award“ und „Break-Through-Award der ITF@ SA Jury, San Antonio
„www.apokalypse.com": Internet-Aktion nach Texten der Johannesapokalypse. Ein __________Projekt von Herbert Fritsch. Realisierung in Zusammenarbeit mit Herbert __________Fritsch und Erich Maaß Verlag, Berlin März 1999.
„Die Berliner Ermittlung": Multimediale Performance nach Texten von Peter Weiss. __________Sound scape (Stimmkomposition) für ein Projekt von Esther und Jochen __________Gerz. Gemeinschaftsproduktion von "Hebbel Theater", "Berliner __________Ensemble" und "Volksbühne", Berlin.1998.
„2 ½ Millionen": Autor und Regisseur. Performance. Gemeinschaftsproduktion von __________Mixed Blessing Theater e.V., Hebbel Theater SFB, HR und Radio __________Bremen. 1996
„Plaster of Paris":Text und Regie. Performance. Whitney Museum of American Art, __________New York. 1986.
„Mushrooms":Text und Regie. Interaktive Performance. Festival Art on the Beach, __________Creative Time Inc., New York. 1985
„Woman in the window":Interaktive Performance. Galerie "Fashion Moda, South __________Bronx, New York. 1984.
Film
„Aloha Hawaii“: Co-Autor und Co-Regie mit Myriam Halberstam. 75 Minuten __________Dokumentarfilm. ARD (ARTE TV, Hessischer Rundfunk/Fernsehen). __________Premiere: September 2000.
Hörspiele (Auswahl)
„After Rose”: Autor. Norddeutscher Rundfunk, Dez. 2000
„Dreimal Deutschland”: Stimmkomposition für 33 Schauspieler. Autor und Regie. __________Hessischer Rundfunk. Okt. 1999.
„Und was taten Sie dann?“: Stimmkomposition und Regie. Nach Texten von Peter __________Weiss. Radio Bremen 1998.
„Preußisch Hawaii”: Autor. Westdeutscher Rundfunk 1998.
„2 ½ Millionen“: Autor und Regie. Sender Freies Berlin, Hessischer Rundfunk, Radio __________Bremen. 1996. Hörspielpreis der „Deutschen Akademie für
__________Darstellende Künste“.
„Lisa Klinghoffer. Monologe einer Familie”: Autor. Sender Freies Berlin. 1992
„Schillers Leiche“: Autor. Sender Freies Berlin. 1991. Hörspielpreis der „Deutschen __________Akademie für Darstellende Künste“.
Gastvorlesungen, Seminare und Workshops:
New York University, New York; Columbia University, New York; Freie Universität, Berlin, Monash University, Melbourne, Internationale Sommerakademie Frankfurt a. Main
In Vorbereitung:
„Lifeline Zürich“ (Arbeitstitel): Interaktive Performance für „Zuercher __________Theaterspektakel“, Schweiz 2004.
„Hirnriß“: Monolog mit Fremdstimmen, O-Ton Hörspiel, Realisierung an __________verschiedenen Berliner Orten. 2003/2004.
D & !lJ@ ? mc_txt D& `TL* # ( Biographical Notes:
Born in Bergen on the Baltic island of Rügen on 15.3.1945. Studied Theology in Jena. Escaped to West Berlin in 1974. Studied at Freie Universität Berlin and at Max Reinhardt Seminar in Vienna, and graduated (MA) in drama, theology and philosophy. Emigrated to New York in 1980; since 1997 he lives in Berlin and New York.
Uwe Mengel began writing and directing interactive and cross-media projects in East Germany, among them the Performance “Verein zur Verbreitung des Erdflachheits-gedankens” ('Association for the Dissemination of the Notion That the Earth is Flat'), which was banned after the first showing. His work in New York included the interactive Performance “Woman in the Window” for Fashion Moda Gallery, South Bronx, in 1984.
In the creation of this performance, Uwe Mengel worked for the first time with a unique new system of creating and presenting interactive performances, a system developed by him. He further developed this new type of interactive performance according to a specific city:
for Mixed Blessing Theater e.V. 1996, Berlin: “2 ½ Millionen”; for San Antonio International Theater Festival 1999, Texas: “Ground Zero” and for Melbourne Festival 2002: “Lifeline”.
He was the first German artist to produce a performance (Plaster of Paris) on commission for the Whitney Museum of American Art, New York. Since 1991 he has also written and directed a number of radio plays for the broadcasters Hessischer Rundfunk, Radio Bremen, Norddeutscher Rundfunk, Westdeutscher Rundfunk and Sender Freies Berlin.
Plays, Performances, (selected):
"Lifeline": Writer and director. Interactive theater performance for Melbourne Festival _________October 2002
"Ground Zero": Writer and director. Interactive theatre performance for San Antonio _________International Theater Festival, Texas, October 1999. "Best Director Award" _________and "Breakthrough Award" of ITF@SA Jury, San Antonio.
"www.apokalypse.com": Internet action based on texts from St. John's Apocalypse. _________A project of Herbert Fritsch. In collaboration with Herbert Fritsch and Erich _________Maass Verlag, Berlin, March 1999.
"Die Berliner Ermittlung": Multimedia performance based on texts by Peter Weiss. _________Sound scape (voice composition) for a project of Jochen and Esther Gerz. _________Jointly produced by the Hebbel-Theater, Berliner Ensemble, and the _________Volksbühne, all Berlin, 1998.
"2 1/2 Millionen": Writer and director. Performance. Jointly produced by Mixed _________Blessing Theater e.V., Hebbel-Theater, SFB, HR and Radio Bremen, 1996.
_________Plaster of Paris. Writer and director. Performance. Whitney Museum of _________American Art, New York, 1986.
"Mushrooms": Writer and director. Interactive performance. "Art on the Beach" _________festival, Creative Time Inc., New York, 1985.
"Woman in the Window": Interactive performance. Fashion Moda Gallery, South _________Bronx, New York, 1984.
Film
"Aloha Hawaii": Co-written and co-directed with Myriam Halberstam. 75-minute _________documentary film. Produced by ARD (ARTE, Hessischer Rundfunk). _________Premiere September 2000.
Radio Plays (selected)
"After Rose": Writer. Norddeutscher Rundfunk, Dec. 2000.
"Dreimal Deutschland": Voice composition for 33 actors. Writer and director. _________Hessischer Rundfunk, Oct. 1999.
"Und was taten Sie dann?": Voice composer and director. Based on texts by Peter _________Weiss. Radio Bremen, 1998.
"Preußisch - Hawaii": Writer. Westdeutscher Rundfunk, 1998.
"2 1/2 Millionen": Writer and director. Sender Freies Berlin, Hessischer Rundfunk, _________Radio Bremen, 1996. Radio-play award from German Academy of _________Performing Arts.
"Lisa Klinghoffer": Monologe einer Familie. Writer. Sender Freies Berlin, 1982.
"Schillers Leiche": Writer. Sender Freies Berlin, 1991. Radio-play award from _________German Academy of Performing Arts.
Guest Lectures, Seminars and Workshops
New York University, New York; Columbia University, New York; Freie Universität, Berlin, Monash University, Melbourne, Internationale Sommerakademie Frankfurt a. Main.
Works in progress:
"Lifeline Zürich"(working title): Interactive performance for “Zürcher _________Theaterspektakel” Switzerland 2004.
"Hirnriß": Monologue and strange voices. Original sound radio play. Recorded at _________different locations in Berlin. 2003/2004.
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